Selected Poetry
“House of Cats,” Abstract: Contemporary Expressions (2024)
“Apprenticeship,” Trace Fossils Review (2024)
“Glory,” Here: A Poetry Journal (forthcoming 2024)
“Cat Song,” OxMag (2023)
“i want a job at the zoo, is the thing,” Stonecoast Review (2023)
“Atlas Moves the World,” Broadkill Review (2023)
“Still Life with Cat,” Cardinal Sins (2022)
“Legacy,” deluge Literary (2022)
“Tally” and “Witness,” Ink of Genesis Literary Journal (2022)
“Dust,” Red Ogre Review (2022)
“Rent Check,” Meow Meow Pow Pow Lit (2021)
“Janus, Dust,” Poor Yorick: A Journal of Rediscovery (2021)
“Apocalypse Song,” Hive Avenue Literary Journal (2020)
“Shadowbox” and “axiom,” Internet Void (2020)
“binary systems,” Blood Orange Tarot (2020)
“the poet buries a black dog,” Red Flag Poetry (2019)
“War Story,” Collateral (2019)
“Connection Is Context in the Internet Age,” Variant Literary Journal (2019)
“monster,” Willard and Maple (2019)
“a note on north stars,” Panoplyzine (2019)
“Remix Theory: The Great American Eclipse (2017),” Fearsome Critters (2019)
“Floor Show Funeral,” The Emerson Review (2019)
“Spoken Word,” Lavender Review: Lesbian Poetry and Art (2018)
“mice inherit apocalypse,” The Helix Magazine (2018)
“Sibling Rivalry,” West Texas Literary Review (2018)
“Burial Ground,” Typehouse Literary Magazine (2018)
“wrecker” in Suitcase of Chrysanthemums (2018)
“Drafting,” The Esthetic Apostle (2018).
“three takes on the historical record,” Oyez Review (2018).
“Familiar,” Meow Meow Pow Pow Lit. (2018)
“A Babydyke's Primer To Slasher Films” and “The Language of the Outsider,” Brickplight (2018)
“An Atheist in Trump’s Americana,” The Ocotillo Review (2018)
“The Bear Cave,” “The Fish and I Discuss Suicide,” and “Androcles and the Lion, A Eulogy,” The Write Launch (2017)
“Sister,” in Nixes Mate Review: Anthology 2016-17 (2017)
“Sister,” Nixes Mate Review (2017)
“Final Project Presented in Form of Sculpture,” “Dime Store Murder Story,” and “Legendary Wolves: In Memory of Peter Stumpp’s Daughter,” New Thoreau Quarterly (2017)
“scene: filmmaker seeks poet’s advice on composition of sext to future wife,” “Artemesia Gentileschi, Self Portrait as the Allegory of Painting (1639),” and “Georgia O’Keeffe,” Mistake House. (2017).